Miki Garcia

A London Irish Story as told to Matthew Dunne-Miles

Miki headshot with green border
I moved to London from France in the mid-1990s. Almost 30 years ago, time flies. I was surrounded by Irish people – classmates, housemates, flatmates, landlords, landladies, and neighbours.
— Miki Garcia

“I am Dutch and have Japanese heritage. I have lived in the United States, Canada, Dublin, Tokyo, Hong Kong, Bangkok, Thailand, and the Philippines. I’ve worked in many African countries. I went to school in France and the UK. I speak different languages. I really feel that I am a “global citizen”.  
 
But home is really London. I have worked in other places, but I always come back to London. I'm a Londoner. I identify myself with London – Hammersmith to be precise. 

"I honestly believe I was put in Hammersmith by an invisible power! ..."

I honestly believe I was put in Hammersmith by an invisible power!   

In 1995, the Irish Cultural Centre opened in Hammersmith, and I took every single class and lesson there. I learnt to play the bodhrán, the tin whistle, and the Uilleann pipes. I learned everything at the Irish centre. There was an Irish library and I used to borrow Irish books all the time. I was there at the weekends as well for the sessions, céilí and I was watching GAA matches. I immersed myself in order to understand the history, the culture, and all the rest. I think I got carried away. I just couldn't stop. 

I moved to London from France in the mid-1990s. Almost 30 years ago, time flies. I was surrounded by Irish people – classmates, housemates, flatmates, landlords, landladies, and neighbours. In the 1990s we didn't have a Paddy's Day festival in London. There were still bombings occasionally and what I noticed was how the British media were reporting this. I also came across a lot of homeless Irish people in the Kings Cross area, while I volunteered for a human rights charity. Those events were enough for me to dive into Irish culture and history. I started studying. 

Miki playing the uilleann pipes

“I learnt to play the bodhrán, the tin whistle, and the Uilleann pipes. I learned everything at the Irish centre.

I immersed myself in order to understand the history, the culture, and all the rest. I think I got carried away. I just couldn't stop.”

I’m a journalist by profession and I've been writing since early in my early twenties. Irish history is not taught in England, Europe, or anywhere in the world. It’s kind of a mystery. I always wanted to write books anyway as a writer, so it was a natural process. It’s very important to be informed. 

I wrote Rebuilding London: Irish Migrants in Post-War Britain based on my own experience and what I heard initially. I was at the Irish Centre all the time in the late 90s and there were quite a few 1950s and 60s immigrants. I was always asking questions like ‘which dancehall did you used to go to?’

The stories of the homeless people I met were really heart-breaking. A lot were from the countryside, and they were youngsters. They didn't know what to do, how to live, and the discrimination was quite common at the time. It was not a nice place to live in. I got a bit traumatised because I got to know them personally. The Irish government and British government didn't help them when they were the backbone of the British and Irish economies - sending a lot of money back home. That was the hardest thing.

Miki smiling at ornamental door

“One of the books I wrote is The Caribbean Irish: How the Slave Myth was Made.

It was a response to the Black Lives Matter movement and how people were talking on the internet about Irish slaves and sharing wrong information. I wanted to write something easy, but informative.”

One of the books I wrote is The Caribbean Irish: How the Slave Myth was Made. It was a response to the Black Lives Matter movement and how people were talking on the internet about Irish slaves and sharing wrong information. I wanted to write something easy, but informative. I travelled all over Caribbean islands. Irish people didn't just go to the British-Caribbean, they went to French, Portuguese, and Spanish parts as well. I absolutely enjoy meeting local people and talking to them. If I don't talk to local people, I don't feel right. As a journalist, I don't trust anyone or anything unless I experience it myself.

I have a book on the Irish diaspora all across the world, so I receive a lot of mail about the books from non-English speakers, because I’ve written about Argentinian and South American Irish. In London, people will say they bought the book for their parents. It's really nice.

"It initially started as an interest, and my interest became a serious hobby..."

I was definitely put in Hammersmith to learn all about this. If I wasn't living in Hammersmith, it would have been impossible. It’s a whole new generation there now, so it's a bit different – but I'm glad I spent a very happy few years there.   

It initially started as an interest, and my interest became a serious hobby, and the serious hobby became a passion. Now it's part of me. It's my identity, really. It's my values, I see things through an London Irish perspective." 

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